F-10A : 10" Full HD HDR Field Monitor
The F-10A is the new 10" field monitor with HDR capability and Full HD resolution. Designed for versatile field production applications, the F-10A offers nearly half the weight and slimmer design compared to its class size. It also supports HDMI 2.0 and HDCP 2.2 to support 4K HDR 60Hz and supports various video signals (3G HD/SD-SDI, HDMI). In addition, it provides various professional functions such as HDMI ↔ SDI conversion output, Camera LUTs, Arri Metadata Display, Waveform/Vectorscope, H/V Flip, Auto Flip, Scan and Image Overlay.
10" FHD HDR Field Monitor with
3G-SDI & HDMI(2.0)
The F-10A is the new 10" field monitor with HDR capability and Full HD resolution.
Designed for versatile field production applications, the F-10A offers nearly half the weight and slimmer design compared to its class size.
It also supports HDMI 2.0 and HDCP 2.2 to support 4K HDR 60Hz and supports various video signals (3G HD/SD-SDI, HDMI). In addition, it provides various professional functions such as HDMI ↔ SDI conversion output, Camera LUTs, Arri Metadata Display, Waveform/Vectorscope, H/V Flip, Auto Flip, Scan and Image Overlay.
Main Body Dimensions
Main Body 258 x 154 x 29.8(mm) / 10.15 x 6.06 x 1.17(inch)
Weight 1.3kg / 2.86lbs
Product Highlights
• 10” Full HD Resolution (1920 x 1080)
• 3 × 3G-SDI (1 × Selectable I/O)
• 4K/60p HDMI Input
• HDMI - SDI Cross Conversion
• HDR (PQ, HLG, S-Log3)
• Custom 3D LUT Import by USB Flash Drive
• Various Built-in Camera LUTs
• ARRI Metadata Display
• Peaking Boost
• Waveform / Vectorscope
• Scan / Anamorphic Desqueeze / Zoom / Split zoom
• H Flip & V Flip (Auto & Manual)
• Marker
• Focus Assist
• 16ch Audio Level Meter
• Timecode Display
• Luma(Y’) Zone Check
• Screen Tally
Optional Accessories
HDR Emulation
A true HDR monitor must employ a special display panel with high dynamic range and a wide color gamut, along with being calibrated for PQ and HLG. For example, the LUM-310X (dual layer LCD system) and LUM-310R (LCD with local dimming backlight system) are capable of reproducing a peak luminance of 1,000 nit and 2,000 nit respectively, and a contrast ratio of 1,000,000 : 1; in addition, they cover 99% of the DCI color gamut.
Other monitor utilizing displays with normal luminace range from 0.1nit up to 400nit or high luminance monitor with up to 2000nit with variable black level (0.1 ~ 1.5nit) is defined as 'HDR Emulation monitor' in TVLogic although they have HDR EOTF and related functions. Below is a simple example for your reference.
* True HDR Monitor : HDR Display (~1000nit, 1M CR, DCI gamut) + HDR EOTF & other related function
* HDR Emulation Monitor : Normal Display (~400nit, 1000:1, BT.709 gamut) + HDR EOTF & other related function
And in TVLogic monitors, HDR Emulation function includes the control parameters below;
* Standard Color Mode (HLG, PQ, PQ2)
* Video Range
* Display Luminance *
* HDR EOTF (PQ, HLG) or Camera Logs** (coming soon)
* PQ EETF (On / Off)
* HLG System Gamma (Fixed 1.2 / Auto)
* Color Gamut (BT.709, DCI-P3, BT.2020 and Native mode)
* White Point (D65, D93, DCI)
* Gamut Warning
* Shadow Mode *** (LUM-318G only)
* True HDR Monitor : HDR Display (~1000nit, 1M CR, DCI gamut) + HDR EOTF & other related function
* HDR Emulation Monitor : Normal Display (~400nit, 1000:1, BT.709 gamut) + HDR EOTF & other related function
And in TVLogic monitors, HDR Emulation function includes the control parameters below;
* Standard Color Mode (HLG, PQ, PQ2)
* Video Range
* Display Luminance *
* HDR EOTF (PQ, HLG) or Camera Logs** (coming soon)
* PQ EETF (On / Off)
* HLG System Gamma (Fixed 1.2 / Auto)
* Color Gamut (BT.709, DCI-P3, BT.2020 and Native mode)
* White Point (D65, D93, DCI)
* Gamut Warning
* Shadow Mode *** (LUM-318G only)
1:1 Pixel Mapping Modes for SD/HD
Displays the original image resolution without scaling to match a certain resolution or an aspect ratio.
Anamorphic Desqueeze
Supports several formats and resolutions that are ideally suited for anamorphic lenses and aspect ratios. When shooting anamorphic the image you are monitoring is an “unsqueezed” preview of what’s actually being recorded.
ARRI Alexa Camera Metadata over SDI
Takes the Metadata from the ARRI ALEXA is transported through the SDI outputs of the camera, and displays it on the monitor.
Camera Lut.
Applies the LUTs to the outbound Log signal. A LUT for every major camera manufacturer has been included(LOG-C, C-LOG, S-LOG 1,2,3 and RED Gamma 3,4).
H/V Flip
Allows the displayed image to be flipped horizontally or vertically. This feature provides flexible mounting options for camera operators.
Luma(Y') Zone Check
Displays the Luma(Y’) level of the input image in colors. Each pixel’s Y’ analyzed and changed to a certain color or zebra pattern according to the Index on the right side of the screen.
Split Zoom
Zooms the specified area sequentially.
Waveform/Vector Scope
Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform.
Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis.
Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis.
Zoom
Magnifies the input signal from 0% to 90%.